National Repository of Grey Literature 3 records found  Search took 0.01 seconds. 
Living legacy of Michael Chekhov acting method
Nikolova, Veronika Pavlova ; Kosáková, Hana (advisor) ; Kitzlerová, Jana (referee)
(in English): This Bachelor's thesis called Living legacy of Michael Chekhov acting method is divided into three thematic units. The first unit presents so called Stanislavski's system, the first complex conception of modern acting method, developed by Konstantin Sergeievich Stanislavski during his time in Moscow Art Theatre. The second unit apprises the readers with life and especially the method of one of the Stanislavski's followers Mikhail Aleksandrovich Chekhov. The objective of this thesis is to find out whether the legacy of Chekhov's acting method is still alive. The research is presented in the final unit which describes the acting studios founded by Chekhov himself during his life but also another existing studios around the world.
Living legacy of Michael Chekhov acting method
Nikolova, Veronika Pavlova ; Kosáková, Hana (advisor) ; Kitzlerová, Jana (referee)
(in English): This Bachelor's thesis called Living legacy of Michael Chekhov acting method is divided into three thematic units. The first unit presents so called Stanislavski's system, the first complex conception of modern acting method, developed by Konstantin Sergeievich Stanislavski during his time in Moscow Art Theatre. The second unit apprises the readers with life and especially the method of one of the Stanislavski's followers Mikhail Aleksandrovich Chekhov. The objective of this thesis is to find out whether the legacy of Chekhov's acting method is still alive. The research is presented in the final unit which describes the acting studios founded by Chekhov himself during his life but also another existing studios around the world.
Life and Work of Mikhail Chekhov in the context of Historical Development of Russian Drama
Elisová, Kateřina ; Hříbková, Radka (advisor) ; Hlaváček, Antonín (referee)
The thesis analyzes the historical development of Russian drama and it also discusses various acting techniques and their development. It focuses on efforts to create a method or system of acting which would help the actors perform characters in a natural and persuasive way. In this context, the thesis deals with Mikhail Chekhov - actor, director, theater director, teacher, theorist of acting, but also a Russian emigrant or nephew of Anton Pavlovich Chekhov. Chekhov was a student of K. S. Stanislavsky. He worked in the Moscow art theatre and later founded and participated in the work of theatre studios in Europe and the United States of America. He dedicated a substantial part of his life to pedagogical and theoretical work. Keywords: acting method, acting technique, anthroposophy, dramatic arts, dramatic form, directing, eurythmy, the archetype.

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